Not every recording or shooting situation is the same—sometimes you need specialized tools to get specific results. For something as tricky as audio, you need to work harder to ensure that there is no room for error. Røde Stereo VideoMic is a stereo microphone designed to broaden your recording horizons. In our review today, we will look at the features of this microphone and how it differs from other onboard microphone options.

-38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz

When you talk about onboard microphones, you most likely think of directional microphones. Directional microphones are very popular because they can help you focus your voice. Recording outdoors is very different from a sterile studio environment, and directionality can help solve this problem.

A directional microphone with a super-cardioid directional microphone is very suitable for recording focused sounds like human voices. They are perfect for this purpose because they can block extra noise, allowing you to record what you want without additional editing later.

However, not everyone wants a directional voice. For example, if you are shooting a live band or orchestra, you will need a microphone to capture all the stereo sound. This is the advantage of Røde Stereo VideoMic Pro Rycote.

Røde is known for launching excellent microphones, and their onboard microphone series are among the best. Although we have previously reported on Røde’s directional microphones, such as Røde VideoMic, these models are only a small part of the company’s extensive microphone product line. If you are looking for a microphone that can capture stereo sound clearly and in detail, then you may be looking for Røde Stereo VideoMic Pro Rycote.

You might think that casting such a large net for audio means that your microphone will end up being too sensitive, but this is not the case. Stereo VideoMic Pro Rycote uses an integrated Rycote Lyre mount, which separates the microphone tip and other electronics from the mount. This greatly reduces the processing noise, allowing you to capture the required audio without editing unnecessary sounds in the post.

To record sound in stereo is to capture the atmosphere. What you are looking for is a complete listening experience, not a specific audio cable. Many other microphones use a cardioid or supercardioid directional focusing route, while Røde Stereo VideoMic Pro Rycote uses the opposite direction. It utilizes an XY cardioid directivity pattern, where two capsules overlap to capture more complete audio.

Using this XY cardioid pointing mode, Stereo VideoMic Pro Rycote can record wide stereo images without sacrificing other functions. This can also achieve a lower noise floor, which is particularly frustrating for condenser microphones.

There is a reason that stereo microphones are usually not standard. This is because it becomes very difficult to control the captured sound. Stereo VideoMic Pro Rycote is equipped with a switch that reduces the sensitivity of the microphone, allowing users to do this more easily. This high-pass filter can block any noise below 75Hz.

This allows you to use the microphone when recording louder noises, such as in live concerts or sports fields. In addition, Stereo VideoMic Pro Rycote is also equipped with a high-pass filter that can help minimize unnecessary noise such as traffic sounds or the hum of electronic equipment. This makes it easier to record even in urban conditions, resulting in a more complete audio image without unnecessary confusion.

Every filmmaker and audio technician knows that once you get out of the studio, you will face a whole new set of recording challenges. In many cases, it is impossible to capture the same audio again. This is why you need a trusted microphone that will provide the best performance at the right time.

This is the purpose of Røde Stereo VideoMic Pro Rycote. It has a frequency response of 40Hz to 20,000Hz and can clearly capture various environmental noises. Although it may not be the most detailed audio, its price is definitely top-notch.

In addition, Stereo VideoMic Pro Rycote is also equipped with an improved foam windshield to better reduce wind noise during outdoor recording. Coupled with other features of the microphone, such as high-pass filter and three-position level control (from -10dB, 0dB and +20dB), you can get better and more consistent performance anywhere.

Stereo VideoMic Pro Rycote is designed to be used outdoors, which has its own considerations. Forget about the complexity of recording correct audio with the right details and depth, you must also worry about whether your microphone can withstand the daily wear and tear of the outside world.

For Røde, the answer is always yes. First of all, as an update to previous versions such as Røde Stereo VideoMic and Røde Stereo VideoMic Pro, it is equipped with the aforementioned Rycote shock mount, better condenser poles and foam windshield, and is designed to withstand wear and tear. Most importantly, with a 10-year warranty, you will have a microphone that can deal with any problems.

Finding the right tools for your job is crucial. Not every filmmaker has the same goals, and it may take some time for you to put the perfect kit together. Røde Stereo VideoMic Pro Rycote gives you a good start, but-although it is not the finest stereo microphone currently available, it performs very well at a price and is absolutely durable.

Røde Stereo VideoMic Pro Rycote is an excellent stereo microphone whose price will not disappoint you. Although it is certainly suitable for more serious filmmakers, you can trust that this microphone will give you value for money. With durable construction and high-quality sound, you can take Stereo VideoMic Pro Rycote almost anywhere to capture the best ambient sound anytime, anywhere. Find the best prices for Røde Stereo VideoMic Pro Rycote microphones here.

If you want a high-quality microphone that can capture ambient sound without breaking the bank, then you need Røde Stereo VideoMic Pro Rycote. This microphone has been updated with better construction and first-class quality, making it a great choice for event cinematographers and more.

Ash from Chicago, Illinois, started working in journalism at the age of 23, writing music reviews for local websites. He is now in his 30s. After approaching the technical aspects of the music and live performance industry, he founded Shout4Music to write comprehensive microphone reviews.

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